The US Southwest - March 2024 / Feb-March 2025

In March 2024, I began a journey through the American Southwest, photographing the landscapes of New Mexico, Arizona, and Nevada. On a second trip earlier this year, I focused entirely on Arizona, travelling from north to south and back again.

The Cycle - June 2022 / June 2023

A visual meditation on the stages of life, seen through the changing forms of leaves. From fresh beginnings to quiet endings, each image suggests a moment in time. No words… just nature, and what it reflects back to us.

La Linea - May / June 2022

I had looked at power lines all my life without any artistic interest—until one cold, cloudless February afternoon. Stopped at a traffic light, I looked up and saw shiny, silvery lines cutting across a deep blue sky. That striking contrast made me pause. Suddenly, I had a new subject worth exploring.

Naked - Jan / Apr 2022

During the coldest months of winter, I walked the same familiar trails as in the past two years and found myself drawn to nature’s bare, structural forms. This black and white collection reflects that simplicity. Many images reminded me of the China ink drawings I produced during my fine art studies. From the naked and chaotic forests, I searched for clarity, simplicity, and balance.

Intimate - Sept / Nov 2021

Autumn returns, and I’m still walking the same familiar trails that have brought me so much happiness over the past two years. In this gallery, you’ll find simple, intimate images of nature, shaped by shifting light, strong contrasts, and the rich colours that only this season can offer.

Resilience - Mar / May 2021

The COVID-19 pandemic deeply affected our lives, but photography kept me alert and engaged. To stay active and connected to nature, I began exploring new trails and forests just minutes from home. On one of my first walks, I was struck by the amount of detail waiting to be photographed. This gallery reflects the quiet resilience of nature, tracing—over just two and a half months—its journey from apparent lifelessness to full renewal.

Solitude - Jan / Mar 2021

Too many opinions, too much noise, too much fear. I needed to escape. The countryside offered quiet, space, and simplicity, and with it a sense of peace. Although I’m often drawn to bold colours and strong contrasts, this time I chose something different. This black and white collection reflects the quieter, deeper feelings of that moment.

Feelings - Aug / Dec 2020

We express our feelings in many ways: through speech, writing, dance, music, painting, or photography. As mentioned on my About Me page, photography is how I express mine. The pandemic lockdown gave me time to slow down and reflect on the beautiful, yet troubled, world we live in. This collection is the result—a series of personal, graphic images found in the woods not far from home.

My Answer - 2013 / 2020

For those who have inquired about my photography, thank you. Over the years, it has been a constant challenge to find time for it. Still, I managed to work on four projects and complete one of them as a 100-page book.

I have since decided to temporarily set my camera aside and make a significant change in my life.

Sentimental Tomar - June 2013

After spending a week photographing the historic centre of this Portuguese medieval town, I became sentimentally attached to it. Through 278 photographs divided into four galleries, I explore the people, their culture, culinary traditions, distinctive architecture, historic monuments, and the renowned Convent of Christ.

Winter Wonderland - 2007 / 2009

After several winters spent photographing the shores of Lake Ontario during its coldest days, I put together a small collection of black and white photographs showing the frozen landscape at its most dramatic.

The East Coast - October 2012

After driving over six thousand kilometres through Canada’s East Coast, I returned with a collection of postcard-style photographs. Here are some of my favourites.

Precambrians II - 2009 / 2010

During a summer holiday in the Parry Sound and Muskoka districts, I could not resist these rocks. Their textures, fractures, and layers drew me in, and I returned to them again and again with my camera.

Harsh - October 2010

One sunny day, a roadside stop, and a few frames were enough to send me on a three-day search for more of these images.

AutoWreck - AutoNew - 2009 / 2010

By photographing an everyday object in both its new and wrecked state, a range of textures, shapes, and line segments emerges. These elements are further enhanced through colour using digital software.

Body Parts - February 2009

While revisiting older photographs with a fresh perspective, I realized there was something worth sharing.

Mennonite Country - October 2008

A photographic look at the quiet farmlands of Waterloo, Perth, and Wellington Counties in Ontario, Canada, home to Mennonite communities.

Badlands - September 2008

I was struck by the rolling landscape of the Ontario Badlands—rounded hills, winding gullies, and the contrast between red-brown and green-white-blue textured clay.

Precambrians - 2008 / 2009

Inspired by some of the most ancient rocks on Earth, this series explores the patterns and textures of the Canadian Shield.

Auto Wreck - Summer 2008

For some, it’s a scrapyard. For me, it was a surprising source of visual excitement.

Diagonals - 2005 / 2010

Inspired by the sharp lines and reflections of Toronto’s architecture, I explored geometry, contrast, and bold colour. This project opened a new way for me to express emotion and personal vision through abstraction.

Artistic Nudes - July 2008

I participated in a nude photography workshop led by Eifert János, an experience that deepened my understanding of the human form and marked a new stage in my photographic journey.

More Portraits - April 2008

Some familiar faces, some new ones—each with their own story.

Legs - October 2007

A photo shoot that went wrong and could not be repeated. This is what I managed to recover.

The Wave - April 2006

Ten black and white photographs of the Wave, a small but extraordinary rock formation on the Colorado Plateau. Stripped of colour, these images aim to restore the mystery that overexposure has taken away.

Andrea in Black and White - 2005

Ten black and white portraits of Andrea, the person who wanted this more than anyone else. Read what she had to say about the experience in the gallery.

Black and White Portraits - 2005

Thirty black and white photographs—portraits of friends, neighbours, colleagues, and strangers.

War Reenactments - 1993 / 1994

Thirty-eight colour photographs documenting reenactments of the French & Indian War, the American Revolution, the War of 1812, and the American Civil War.

Interpreters from Living Museums - 1993 / 1994

Twenty-five colour photographs of interpreters working in living history museums across Canada and the United States.

The Colorado Plateau, USA - June 2002

One hundred and sixty-eight colour photographs divided into ten galleries, featuring six national parks, one national monument, one provincial park, a slot canyon, and other locations across the American Southwest.

Watkins Glen State Park, NY, USA - June 2001

Sixteen black and white photographs of the gorge at Watkins Glen State Park.